PERI PHILLIPS MCQUAY


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"McQuay knows her land, knows its inhabitants, both plant and the animal, like a first language. "


Washington Post


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Marie Cecilia Guard

Ken Phillips

Peri Phillips McQuay first learned to take joy in nature through the inspiration of her Canadian artist parents, Ken Phillips and Marie Cecilia Guard. McQuay and her conservation educator husband, Barry, were fortunate to live and work in Foley Mountain, an eastern Canadian eight-hundred-acre conservation area of forests, ponds, and granite ridges for thirty years. For a large part of this time, she also shared her home with her two sons, Morgan and Jeremy, and a menagerie of wild and domestic animals.

 

Deeply committed to nature, art, and social justice,  Peri Phillips McQuay has been a professional writer for over thirty years. She is the author of two published books (The View From Foley Mountain, a book of nature meditations) and (A Wing in the Door: Life With a Red-tailed Hawk, the story of a human-imprinted hawk) as well as numerous essays, articles, book reviews and a weekly column, published in the Kingston Whig-Standard Magazine. Educated at the University of Toronto (Hon. Philosophy and English), and a member of The Writers’ Union of Canada and ASLE, her credits include Country Journal, Harrowsmith, Bird Watcher's Digest, The Snowy Egret, Seasons, The Fiddlehead, Herizons and Brick

 

She has completed a first novel Towards Home, the story of a woman's journey of self-discovery through nature and art and is at work on a second novel about reconciliation. Also under work is Singing Meadow, the story of finding, designing and supervising the building of a country property of their own, where simplicity and reverence for nature are key.

 

 

 

 “In the style of Jane Goodall and other animal behaviourists, there's a magnificent tenderness in these narratives —emphatically not to be confused with sentimentality.”

Toronto Globe and Mail

 

 

 


Passionate Gesture is the biography of that rare entity, a Canadian artist couple, Ken Phillips (1909-1983) and Marie Cecilia Guard (1908-2000), told by their daughter, Peri Phillips McQuay. Phillips and Guard attended the Ontario College of Art during the dynamic years of 1928 to 1935 (when Marie completed a post-graduate year), as well as the Grand Central School of Design in New York in 1930.  Their teachers included Arthur Lismer, J.W. Beatty, J.E.H. Macdonald, and Emanuel Hahn.  They both painted continuously from their childhood until Phillips' deaths.  In the 1930's they exhibited regularly in the Ontario Society of Artists and Royal Academy shows
Marie's portrait of her daughter Peri, aged 9
Ken Phillips, at 19, was one of the youngest painters to exhibit at an O.S.A. exhibition in the Art Gallery of Toronto, and had one of his woodcuts purchased by that gallery when he was in his early twenties.  Marie Cecilia Guard had work that travelled across Canada. By the mid-1930's they had every reason to look forward to exciting careers.  In spite of the difficult economic climate of the Depression era, both husband and wife regularly exhibited major pictures (figure and landscape) in the prestigious Royal Canadian Academy and Ontario Society of Artists shows, and their paintings travelled across Canada and to the United States.

However, because of the Depression and the advent of the Second World War, followed by the post-war emphasis in Canada on abstract art, they eventually largely gave up trying to market and exhibit their paintings, preferring to focus all available time and energy on creating art.* But nothing could prevent them from a lifetime devoted to painting and drawing.



Continue Reading

NEW: A Blaze of Colour

Cataloguing the Art of Ken Phillips and Marie Cecilia Guard

 (first published in the Kingston Whig-Standard Magazine)

 

Read it here

For more about rural life, read my blog, Rejoice in Wildness!

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